However the other heroines Hari Priya and Natasha Doshi got limited screen presence and inconsequential roles.Īshutosh Rana and Kalakeya Prabhakar are apt as villains while Prakash Raj did hit bit as the father of Nayanatara. Nayanatara performed well showing the right kind of emotions and her chemistry with Balakrishna is a treat to watch on screen. No amount of makeup could hide it and people couldn't digest to see him as a lover boy any more. However age is fast catching Balakrishna and it is clearly visible in his looks and movements on screen. He enacted breathtaking stunts and surprised all with his dancing moves. His body language elevated the scenes and delivered dialogues in a powerful manner. He showed variations in expressions and emotions to thrill fans. To find out the violent flashback of silent Narasimha and his connection to Vijayawada politician Rami Reddy (Ashutosh Rana) and teacher (Prakash Raj) daughter Gauri (Nayanatara) enjoy Jai Simha on silver screen.īalakrishna slipped into the role effortlessly. However things take a point of no return for peace loving Narasimha when he confronts the atrocities of local villain (Kalakeya Prabhakar) and ACP.
Jai simha movie story driver#
Narasimha (Balakrishna) along with one year old boy shifts various locations across the country before reaching Kumbakonam and starts working as a driver for temple priest (Murali Mohan). View Member Profile Send Email Find Member's Topics Find Member's Posts Send Instant Message MSCĬasting: Balakrishna, Nayanatara, Natasha Doshi, Haripriya, Prakash Raj, Ashutosh Rana, Brahmanandam, Murali Mohan, Jaya Prakash Reddy, Prabhakar, Siva Parvathi and others This is strictly for Balayya’s fans and lovers of old-style masala movies. Some episodes in the first half hold interest though. As a director, K S Ravikumar has shown his mark in later portion of the movie but his narrative drive is old-style.īottom- line: Balakrishna’s ‘Jai Simha’ is a typical mass-masala movie with old-style narrative and clichéd sequences. Cinematography by C Ram Prasad serves the purpose in action sequences.Īction stunts and dialogues are in old style. “Amma Kutti” song is the only typical mass number. He has given two melodies – “Anaganaga Andala Lokam” and “Priyam Jagame Anandamayam” which are good. Music director Chirantan Bhatt has given rather different songs for a masala movie. Of the technicians, music director and cameraman’s work gets noticed. The whole point of the movie turns out that protagonist sacrificing his love, his sons and other things for the good of his first girlfriend. Many twists and turns are there but once the main plot point is revealed it turns out to be silly. Much of the time we don’t know where the film is heading. Even the so-called sentiment scenes and hero sacrificing many things for his first love Nayanathara is told in beaten to death manner. None of these romantic tracks are interesting enough. There are three romantic tracks – one with Natasha (she dreams, not he), the other with Nayanathara that eventually ends abruptly, then another with Haripriya which is crucial to the story.
Only towards the interval bang it sustains some interest. Some punch dialogues that are aimed to please his fans are okay but rest of the dialogues are over the top. Brahmanandam has lost his mojo long back as comedian and still the director has made the comedian to do the same comedy that he stopped playing a decade ago. The film begins in regular masala movie manner with hero-elevating fights, comedy and songs. The screenplay technique – a hero leading peaceful life hiding his past ought to reveal his true identity when the persons from the past life catch up again. His recent film was Rajinikanth starrer “Linga”. The film is directed by K S Ravikumar of hits like “Muthu”, “Narasimha”, “Bhamane Sathyabhamane”, “Sneham Kosam” and “Dasavatharam”. “Jai Simha”, Nandamuri Balakrishna’s 102nd film, tells the story of a Vizag based mechanic who has a past life that still haunts him. Rest of the movie is all about his love story with Gowri some years ago in Vizag, and why he had to break up with her to marry another woman and how their fates are now inter-linked. In an another incident, he comes face to face with Gowri, who is now wife of ACP. However, he also lands in trouble with a local leader and later with the town’s ACP. The guy is Narasimha (Balakrishna) who is running away from his past life and finally settles in Kumbakonam in Tamilnadu where he gets a job as driver in a Temple daramkartha’s house. Story cuts to reveal, a guy is leaving with a new born baby in search of quite places. At a hospital bed, Gowri (Nayanathara) wakes up to find her newborn baby is missing.
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